{"id":3782,"date":"2019-03-12T16:34:06","date_gmt":"2019-03-12T14:34:06","guid":{"rendered":"http:\/\/olafholzapfel.de\/wp\/?page_id=3782"},"modified":"2019-10-25T19:52:32","modified_gmt":"2019-10-25T17:52:32","slug":"demo","status":"publish","type":"page","link":"https:\/\/olafholzapfel.de\/en\/demo\/","title":{"rendered":"Demo"},"content":{"rendered":"
<\/div>\n\n\n\n\n\n
  • \n\nConvergences\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nSetouchi Triennale 2025\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nSea Art Festival 2025\"Olaf<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\ncurated by\"Ausstellungsansicht<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nEchoes and Fields\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nSpeaking through substance\"Olaf<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nTopography of an unusual reality\"Ausstellungsansicht<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nBlickachsen 14\"Foto<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nWelt am Draht\"Foto<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nThe Event of a Thread: Global Narratives in Textiles\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nAusstattung Herz-Jesu-Kapelle\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nHousing in Amplitude Onomichi\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nThe river that connects the banks \u2013 Vernacular genealogies\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nWALL - a participative installation\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nZ\u00fcrich Art Prize 2024\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nwe put hands into water\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nStage for Country and People\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nDepth and Surface. Scientific Tableaux in Dialogue with Olaf Holzapfel\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nZwei in ein ander Gewobene\"Foto<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nHand in Hand\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nSpatial Means\"Olaf<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nMe, Myself and I\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nSHIFT: Ecologies of Fashion, Form + Textile\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nQuinquagesimum\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\ncontemporary society\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\ntextile spheres\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nSlick & Rough\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nFragment of an Infinite Discourse\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nthey will return there\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nthe grown one\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\n1,5 degree - Interconnections between life, cosmos and technology\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nSilent Stories\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nThe Event of a Thread. Global Narratives in Textiles\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\npaint it all! recent paintings from Berlin\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nPaths to abstraction in the three-border-area\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nfollow the water\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nA Family Story, Collection(s) Robelin\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nCereal drying rack\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nall hands on: Weaving\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nCraft Myth\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nin all and in one\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nThe event of a thread\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\ncolours of the woods\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nThe brain in Art and Sience\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nBIENALSUR. The Listening and the Winds. Testimonies of a Presence\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nPlant works\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nlandlove\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nLas Calles De La Ciudad \u2013 El Orden Del Amplio Pa\u00eds\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nKrasnoyarsk Museum Biennale 2021\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nSeyni Awa Camara and Olaf Holzapfel\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nArena\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nCrossing Borders\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nCollect the Present – Present the Collection\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nRetour\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nThe Event of a Thread. Global Narratives in Textiles\"Chaguarbild<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nA Space full of Drawings and a Drawing in Space\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nvisible - the own collection\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nblue gras along the river - pasto azul a lo largo de los r\u00edos\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nART \u21c6 CRAFT\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\ncuadr\u00edcula ambigua\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nEl Camino de los Campos\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nART \u21c6 CRAFT\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nIn our neighbourhood\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nstrawpictures\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nart \u21c6 craft\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nEl Camino en los Campos\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nThe Event of a Thread\"Chaguarbild<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nJunkyards\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nfibres\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nCrossing Lines\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nliving different\"Reimbursement<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nNegativer Raum\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nand Berlin will always need you\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nDie Macht der Vervielf\u00e4ltigung\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\noneway\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nThe Transformation of Geometry\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nKonstruktion der Welt \u2013 Kunst und \u00d6konomie\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nDie Geometrie in der Bredouille\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nDrei H\u00e4user\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nKloster Sch\u00f6nthal\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nInside the distance\"Olaf<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\ndocumenta14 Kassel\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\ndocumenta14 Athen\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nKlaus Lehmann und Olaf Holzapfel\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nFull Moon\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nEt in Arcadia Ego\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nMean What You See\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nDie Materialit\u00e4t des Raumes\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nHousing in amplitude\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nHousing in Amplitude\"Olaf<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nHousing in Amplitude\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nhaving a gate – refugios\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nWilder Mann auf Br\u00fccke\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nGel\u00e4nde\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nTraditie en toeval\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nRegion\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nErzeugendensysteme\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nWunderkammer\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nZwei Br\u00fccken\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nLinie, Fl\u00e4che, Zeit. Ein Abstecher\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nMade in Germany Zwei\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nWahlverwandtschaften\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nLA BIENNALE DI VENEZIA – ILLUMInations\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nK\u00f6lnSkulptur\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nInformellnatur\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\n6 Milliarden Zylinder\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\n3 wie 1, 2 in 3, 2, 1, 1 \u00fcber 1;\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nMenos Tiempo que lugar\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nwie ein Teil von Etwas\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\ndas Verwobene in dem ich wohne\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nBetween Nothingness and Eternity\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nTempor\u00e4res Haus\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nsprich mit mir, sprich mit dir\"SPRICH<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nMethaporischer Raum + Handlungsraum\"Powder<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nDas nomadische Kriterium\"Unterschlupf,<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nDer Gro\u00dfe Wurf\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nDie Nachbarschaft der Dinge\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nIn der Mitte des Pragmatismus\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nder Absolute Zusammenhang\"Ausstellungsansicht<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nZwischen G\u00fctern\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nNice Thinking Utopias\"digitalpint<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n
  • \n\nin between goods\"\"<\/span>\n<\/a> | <\/li>\n\n\t\t\t\t\t\t\t\n\n\t\t\t\t\n\t\t\t\t\n\n\n\n\n\n\n

    <\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3782","page","type-page","status-publish","hentry"],"yoast_head":"\nDemo - Olaf Holzapfel<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/olafholzapfel.de\/en\/demo\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Demo - Olaf Holzapfel\" \/>\n<meta property=\"og:url\" content=\"https:\/\/olafholzapfel.de\/en\/demo\/\" \/>\n<meta property=\"og:site_name\" content=\"Olaf Holzapfel\" \/>\n<meta property=\"article:modified_time\" content=\"2019-10-25T17:52:32+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/olafholzapfel.de\\\/demo\\\/\",\"url\":\"https:\\\/\\\/olafholzapfel.de\\\/demo\\\/\",\"name\":\"Demo - 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