{"id":11329,"date":"2026-01-31T11:31:37","date_gmt":"2026-01-31T09:31:37","guid":{"rendered":"https:\/\/olafholzapfel.de\/?p=11329"},"modified":"2026-05-20T17:00:17","modified_gmt":"2026-05-20T15:00:17","slug":"produktive-unruhe","status":"publish","type":"post","link":"https:\/\/olafholzapfel.de\/en\/produktive-unruhe\/","title":{"rendered":"Produktive Unruhe"},"content":{"rendered":"
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Olaf Holzapfel: – der Raum, den es nicht gegeben hat (- The Space, that Never Was)
Lehmarchitektur (generic- wall-architectur made of earth and wood)
in collaboration with: Tommaso Petrucci, Moritz Birke
2026
2,30 m x 5m \u00d7 7,90 m, Clay wall, plywood, reed mat<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Part of Holzapfel\u2019s coming of age involved overcoming the East-West demarcation line of the Cold War, the memory of which fades so quickly today. Alongside the political upheavals, an aesthetic transformation also took place, which can be understood as a second postmodernism. In his work, Olaf Holzapfel is interested in borders, border spaces, dividing lines\u2014and the interior spaces they enclose.<\/p>\n\n\n\n

His expansive, site-specific work \u201c\u2013 the space that never existed\u201d was developed by Holzapfel specifically for the exhibition \u201cProductive Unrest.\u201d The work consists of a vaulted clay architecture developed in several stages\u2014arising from the forms of generative spaces, while simultaneously telling the story of the timeless craft traditions of clay construction. The object, which is as much sculpture as it is architecture, unites apparent contradictions within itself: the curved forms of high-tech architecture, realized using a wood and clay technology that is almost as old as humanity itself. <\/p>\n<\/div>\n<\/div>\n\n\n\n

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The work \u201cThe Space That Never Was\u201d can also be understood as a tribute to the regional cultural scene and representatives of Dresden\u2019s postwar modernism. Holzapfel, who in many of his installations engages with regional \u201ctechniques of the land\u201d\u2014that is, survival technologies born from the natural resources of one\u2019s own environment\u2014draws here on local knowledge as a source of inspiration and a driving force for artistic practice. The timelessness of clay as a material symbolizes the careful use of resources. It also reflects a deep respect for a generation of cosmopolitan-minded artists\u2014mostly based in Dresden\u2014who refused to be swayed by the narrowing dialectics of Cold War terminology.<\/p>\n<\/div>\n\n\n\n

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With the works on display here by Hermann Gl\u00f6ckner, Gerda Lepke, A. R. Penck, Hanns Schimansky, Ruth Wolf-Rehfeldt, and Leoni Wirth, Olaf Holzapfel has selected artists who steadfastly maintain that human observation and experience of nature, and at the same time the development of constructive modern forms, are linked to this very experience.<\/p>\n<\/div>\n<\/div>\n\n\n\n

Kunsthaus Dresden –\u00a0robotron-Kantine<\/h2>\n\n\n\n

Produktive Unruhe
Kunst, Publikum und Alternativkultur im Spannungsfeld der IX. und X. Kunstausstellung der DDR in den 80er Jahren<\/h3>\n\n\n\n

21.5.\u2014\u00a026.7.26
Er\u00f6ffnung: Mi, 20.5.26 ab 18 Uhr<\/p>\n\n\n\n

Mit Werken von Bernd Bankroth, Falko Behrendt, Sibylle Bergemann, Christian Borchert, Anna Bromley, Klaus Dennhardt, Michael Freudenberg, Freunde der Italienischen Oper, Reinhard Dietrich, Manuel Frolik, Hubertus Giebe, Hermann Gl\u00f6ckner, Dieter Goltzsche, Eberhard G\u00f6schel, Hans-Hendrik Grimmling, Herta G\u00fcnther, Angela Hampel, Andreas Hegewald, Christian Heinze, Christine Heitmann, Ernst Hirsch \/ Gartenfest Heinz Wittig, Olaf Holzapfel, Wilhelm Klotzek, Sylvie K\u00fcrsten, Gerda Lepke, Werner Lieberknecht, Peter Makolies, Yana Milev, Henrike Naumann, Helga Paris, A. R. Penck, Johannes Peschel, David Polzin, G\u00fcnther Rechn, N\u00faria Quevedo, Ruth Wolf-Rehfehldt, J\u00fcrgen Schieferdecker, Hanns Schimansky, Werner Schinko, J\u00fcrgen Sch\u00f6n, Luise Schr\u00f6der, Klaus Schwabe, Sabine Slatosch, Wolfgang Smy, Erika St\u00fcrmer-Alex, Ulrich Tarlatt, Alfred Thiele, Max Uhlig, Norbert Wagenbrett, Arnold Walter, Suse Weber, Claus Weidensdorfer, Horst Weisse, Olav Westphalen, Leoni Wirth, Karla Woisnitza, Ruth Wolf-Rehfehldt, Willy Wolff, Ulrich W\u00fcst, Fotis Zaprasis<\/p>\n\n\n\n

Mit einem k\u00fcnstlerischen Zeitzeug*innenprojekt von Sylvie K\u00fcrsten mit Susanne Altmann, Michael Freudenberg, Hubertus Giebe ,Prof. Dr. Bernd Lindner, Yana Milev, Peter Segor, Sabine Slatosch<\/p>\n\n\n\n

Die 1980er Jahre waren auch in Dresden eine bewegte unruhige Zeit, voller Widerspr\u00fcche, Auseinandersetzungen und Neuanf\u00e4nge. Welche Ausdrucksformen konnten sich durchsetzen und welche neuen Beziehungen entstanden zwischen Kunst und Publikum diesseits und jenseits staatlicher Lenkung? Die Ausstellung \u201eProduktive Unruhe\u201c nimmt ausgew\u00e4hlte Positionen der Kunst, der Fotografie und der Alternativkultur dieser Zeit als Resonanzraum sich anbahnender gesellschaftlicher Ver\u00e4nderungen in den Blick. Den Ausgangspunkt bilden die IX. und X. Kunstausstellung als gr\u00f6\u00dfte und meistbesuchte \u00dcberblicksausstellung der DDR, in denen sich bereits die Vielfalt des damaligen k\u00fcnstlerischen Wirkens abbildet, aber auch ausgew\u00e4hlte Positionen einer Alternativkultur, die zu diesem Zeitpunkt bereits eigene Wege jenseits der staatlich gelenkten Bahnen sucht und findet.Die gemeinsam entwickelte Ausstellung bietet Einblicke in diese besondere Zeit, \u00fcberwiegend anhand der grafischen Sammlungsbest\u00e4nde des Zentrums f\u00fcr Kunstausstellungen der DDR (ZfK), die 1991 nach der Aufl\u00f6sung des ZfK dem ifa \u2013 Institut f\u00fcr Auslandsbeziehungen \u00fcbertragen wurden. Im selben Jahr entstand auch das Kunsthaus Dresden als Nachfolgeinrichtung der ehemaligen Dresdner Au\u00dfenstelle des ZfK und heutige st\u00e4dtische Galerie f\u00fcr Gegenwartskunst.<\/p>\n\n\n\n

Gleich mehrere k\u00fcnstlerische Neuproduktionen er\u00f6ffnen \u2013 zum Teil auch in Auseinandersetzungmit der eigenen Familienbiografie \u2013 den Dialog zwischen den Generationen in dieser Ausstellung mit Werken und Leihgaben von insgesamt mehr als 50 K\u00fcnstler*innen.<\/p>\n\n\n\n

Auch der forschende Blick auf das Publikum von damals, seine Interaktion mit der Kunst damals wie heute hier, und das historische dokumentarische Material verweben Perspektiven der Gegenwart und der Vergangenheit miteinander und schlagen eine Br\u00fccke zu den Menschen und der Atmosph\u00e4re der 8oer Jahre in einem Land in Unruhe.<\/p>\n\n\n\n

Eine gemeinsame Ausstellung des Kunsthauses Dresden und dem ifa-Institut f\u00fcr Auslandsbeziehungen in Kooperation mit der W\u00fcstenrot Stiftung. Zu den weiteren Partnern z\u00e4hlen der Kunstfonds \/ Staatliche Kunstsammlungen Dresden und Art in Networks \u2013 ein Forschungsprojekt der Professur f\u00fcr Bildwissenschaft und Kunstgeschichte der TU Dresden.<\/p>\n\n\n\n

Kuratiert von Susanne Wei\u00df und Christiane Mennicke-Schwarz begleitet durch Sylvie K\u00fcrsten, Robert Thiele, Julianne Csapo. Mit Dank f\u00fcr wichtige Hinweise und Zusammenarbeit an: Silke Wagler, Prof. Dr. Bernd Lindner, Olaf Holzapfel, Luise Schr\u00f6der. Archivarbeit: Janine Wagler, Dr. Swantje Greve. Ausstellungsarchitektur lfm2 Leipzig.<\/p>\n\n\n\n

https:\/\/kunst-haus-dresden.de\/programm\/ausstellungen\/produktive-unruhe<\/a><\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"Part of Holzapfel\u2019s coming of age involved overcoming the East-West demarcation line of the Cold War, the memory of which fades so quickly today. Alongside the political upheavals, an aesthetic transformation also took place, which can be understood as a second postmodernism. In his work, Olaf Holzapfel is interested in borders, border spaces, dividing lines\u2014and… View Article<\/a>","protected":false},"author":7,"featured_media":11530,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,7,4],"tags":[],"class_list":["post-11329","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktuell","category-ausstellung","category-skulptur"],"yoast_head":"\nProduktive Unruhe - Olaf Holzapfel<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/olafholzapfel.de\/en\/produktive-unruhe\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Produktive Unruhe - Olaf Holzapfel\" \/>\n<meta property=\"og:description\" content=\"Part of Holzapfel\u2019s coming of age involved overcoming the East-West demarcation line of the Cold War, the memory of which fades so quickly today. 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Alongside the political upheavals, an aesthetic transformation also took place, which can be understood as a second postmodernism. In his work, Olaf Holzapfel is interested in borders, border spaces, dividing lines\u2014and... 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