{"id":1728,"date":"2011-06-05T21:56:39","date_gmt":"2011-06-05T19:56:39","guid":{"rendered":"http:\/\/olafholzapfel.de\/?p=1728"},"modified":"2025-11-04T11:44:44","modified_gmt":"2025-11-04T09:44:44","slug":"la-biennale-di-venezia-illuminations-04-june-27-november-2011","status":"publish","type":"post","link":"https:\/\/olafholzapfel.de\/en\/la-biennale-di-venezia-illuminations-04-june-27-november-2011\/","title":{"rendered":"LA BIENNALE DI VENEZIA – ILLUMInations"},"content":{"rendered":"

ENTRE SIEMPRE Y JAM\u00c1S (ZWISCHEN IMMER UND NIEMALS)<\/strong><\/h2>\n\n\n\n

Instituto Italo-Latino Americano<\/h2>\n\n\n\n

Commissioner: Patricia Rivadenera
Deputy Commissioner: Alessandra Bonann
Curator: Alfons Hug
Deputy Curators: Paz Guevara, PatriciaRivadenera<\/p>\n\n\n\n

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Olaf Holzapfel construye estructuras provisorias y figuras flexibles que se parecen m\u00e1s a paredes divisorias improvisadas que a muros macizos. As\u00ed, Holzapfel cuestiona radicalmente la arquitectura urbana convencional, al citar con sus moradas fr\u00e1giles m\u00e1s bien formas de vivienda ind\u00edgenas, como las de los onas en Tierra del Fuego, que de antemano renunciaron a fijar su lugar de residencia; un destino que en los \u00faltimos tiempos es compartido de manera involuntaria por no pocos habitantes de las grandes urbes: desde los \u201cEnfants de Don Quichotte\u201d, que levantan sus carpas a orillas del Sena en Par\u00eds, pasando por los \u201crooftop dwellers\u201d de Hong Kong hasta los sin techo de las metr\u00f3polis sudamericanas. Para esta muestra, el artista realiz\u00f3 un trabajo colaborativo con la comunidad Wichi en el norte de Argentina. A partir de los tejidos artesanales de ch\u00e1guar de esta comunidad, el artista construy\u00f3 una morada temporaria. El ch\u00e1guar o caraguat\u00e1 es una fibra natural de cactus que hasta el d\u00eda de hoy es obtenida a partir de plantas silvestres por la etnia aborigen Wichi.  Los Wichis, que ya pose\u00edan un lenguaje abstracto para generar las formas geom\u00e9tricas desde sus telares, interpretaron la cuadr\u00edcula computacional propuesta por el artista, generando nuevas formas y un contexto para experimentar con dise\u00f1os comunes. (Text von Kurator Alfons Hug \/ Paz Guevara)<\/p>","protected":false},"excerpt":{"rendered":"ENTRE SIEMPRE Y JAM\u00c1S (ZWISCHEN IMMER UND NIEMALS) Instituto Italo-Latino Americano Commissioner: Patricia RivadeneraDeputy Commissioner: Alessandra BonannCurator: Alfons HugDeputy Curators: Paz Guevara, PatriciaRivadenera Olaf Holzapfel construye estructuras provisorias y figuras flexibles que se parecen m\u00e1s a paredes divisorias improvisadas que a muros macizos. As\u00ed, Holzapfel cuestiona radicalmente la arquitectura urbana convencional, al citar con sus… View Article<\/a>","protected":false},"author":2,"featured_media":1750,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,4,67],"tags":[],"class_list":["post-1728","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausstellung","category-skulptur","category-textil"],"yoast_head":"\nLA BIENNALE DI VENEZIA - ILLUMInations - Olaf Holzapfel<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/olafholzapfel.de\/en\/la-biennale-di-venezia-illuminations-04-june-27-november-2011\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LA BIENNALE DI VENEZIA - ILLUMInations - Olaf Holzapfel\" \/>\n<meta property=\"og:description\" content=\"ENTRE SIEMPRE Y JAM\u00c1S (ZWISCHEN IMMER UND NIEMALS) Instituto Italo-Latino Americano Commissioner: Patricia RivadeneraDeputy Commissioner: Alessandra BonannCurator: Alfons HugDeputy Curators: Paz Guevara, PatriciaRivadenera Olaf Holzapfel construye estructuras provisorias y figuras flexibles que se parecen m\u00e1s a paredes divisorias improvisadas que a muros macizos. 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