{"id":6576,"date":"2019-12-11T13:42:37","date_gmt":"2019-12-11T11:42:37","guid":{"rendered":"http:\/\/olafholzapfel.de\/wp\/?p=6576"},"modified":"2025-10-01T10:39:07","modified_gmt":"2025-10-01T08:39:07","slug":"anders-wohnen-2","status":"publish","type":"post","link":"https:\/\/olafholzapfel.de\/en\/anders-wohnen-2\/","title":{"rendered":"living different"},"content":{"rendered":"

Designs for Haus Lange (Krefeld) - act 1: Utopia
with works of: BLESS, Franck Bragigand, Dunne & Raby, Olaf Holzapfel, Andreas Schmitten, Apolonija \u0160u\u0161ter\u0161i\u010d, Christopher Kulendran Thomas<\/p>\n\n\n\n

curator: Katia Baudin, Dr. Magdalena Holzhey, Dr. Sylvia Martin<\/p>\n\n\n\n

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\"Reimbursement<\/a><\/figure>\n<\/figure>\n<\/div>\n\n\n\n
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REIMBURSEMENT CELLS
installation of local wood and reed

The form of the structure resembles DNA cells, growing in every corner and direction, creating pathways and platforms that guide the viewer's physical experience. The floor plan drawn by these lines refers to the Cella, the innermost chamber of a temple. Both the cell and the Cella are considered here as very intimate parts (essence) of the architectural constructions of the body and the public house\u2014the temple. The temple serves as the infrastructure for the Cella (and by extension, the Cella here is a place for only one person).
A timber-framed main structure filled with thatch occupies the center of the room, dividing it into two equal parts. The viewer has access to the various niches (cells) that branch off from the main dividing line. The structure references the internal, invisible construction of Haus Lange, which consists of an unseen steel frame covered with bricks. This architecture continues in curved lines, a structure made from local wood, completely filled with thatch yet still visible.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Tactility and the senses play a central role in this design. Some parts of the timber frame are smaller spaces (alcoves) that bring our bodily experience closer to the perception of sounds and smells. For example, footsteps are absorbed by the thatch wall, which simultaneously emits a scent reminiscent of the outdoors, of nature. The decision to reference the Cella aligns with the intent to respond to the physical and mental experiences from the forgotten history of the Bauhaus. For instance, Haus Lange features some intimate chambers. Another example would be the Farnsworth House, where the concept of the Cella was integrated into the entire design of the house, meaning that the natural elements, the parks, and the space of the house merge with each other. During the Industrial Age (Modernism), the primary flow of information still occurred through analog communication. This relationship is now free from such dualism. Most places are, by definition, public, with communication rules applying to every physical and virtual space. Reflecting on new forms of privacy becomes essential.<\/p>\n\n\n\n

The Bauhaus, as a continuation of the modern movement (starting from the 18th century), was situated in a time when entirely new experiences were being inscribed into the human body and mind. The introduction of industrial and mechanical artifacts and attitudes into private spaces occurred during a period when people still had direct experiences and lived in a physical reality. The factories were loud environments, and workers ended their days in a natural world that was likely closer and more immediate than what we experience today.
People are increasingly distancing themselves from nature, and their idea of a private space now more closely resembles that of a home workspace.
The installation offers an opportunity for a specific experience: to get closer to a world without having an excess of information.<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"Entw\u00fcrfe f\u00fcr Haus Lange (Krefeld) \u2013 Akt 1: Utopiemit Werken von: BLESS, Franck Bragigand, Dunne & Raby, Olaf Holzapfel, Andreas Schmitten, Apolonija \u0160u\u0161ter\u0161i\u010d, Christopher Kulendran Thomas Kuratiert von: Katia Baudin, Dr. Magdalena Holzhey, Dr. Sylvia Martin REIMBURSEMENT CELLSInstallation aus heimischem Holz und Reet Die Form der Struktur erinnert an DNA-Zellen, die in jeder Ecke und… View Article<\/a>","protected":false},"author":6,"featured_media":6588,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54,7,1,4],"tags":[],"class_list":["post-6576","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arbeiten_works","category-ausstellung","category-allgemein","category-skulptur"],"yoast_head":"\nAnders Wohnen - Olaf Holzapfel<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/olafholzapfel.de\/en\/anders-wohnen-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anders Wohnen - Olaf Holzapfel\" \/>\n<meta property=\"og:description\" content=\"Entw\u00fcrfe f\u00fcr Haus Lange (Krefeld) \u2013 Akt 1: Utopiemit Werken von: BLESS, Franck Bragigand, Dunne & Raby, Olaf Holzapfel, Andreas Schmitten, Apolonija \u0160u\u0161ter\u0161i\u010d, Christopher Kulendran Thomas Kuratiert von: Katia Baudin, Dr. Magdalena Holzhey, Dr. Sylvia Martin REIMBURSEMENT CELLSInstallation aus heimischem Holz und Reet Die Form der Struktur erinnert an DNA-Zellen, die in jeder Ecke und... 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