{"id":9551,"date":"2025-02-18T13:03:39","date_gmt":"2025-02-18T11:03:39","guid":{"rendered":"https:\/\/olafholzapfel.de\/?p=9551"},"modified":"2025-11-14T16:31:44","modified_gmt":"2025-11-14T14:31:44","slug":"setouchi-art-trienale-2025","status":"publish","type":"post","link":"https:\/\/olafholzapfel.de\/en\/setouchi-art-trienale-2025\/","title":{"rendered":"Setouchi Triennale 2025"},"content":{"rendered":"<p>\u201eThe Wild Catch\u201c (Der Wildfang)<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/Olaf-Holzapfel-The-Wild-Catch-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"525\" src=\"https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/Olaf-Holzapfel-The-Wild-Catch-2-700x525.jpg\" alt=\"\" class=\"wp-image-10876\" srcset=\"https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/Olaf-Holzapfel-The-Wild-Catch-2-700x525.jpg 700w, https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/Olaf-Holzapfel-The-Wild-Catch-2-250x187.jpg 250w, https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/Olaf-Holzapfel-The-Wild-Catch-2-768x576.jpg 768w, https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/Olaf-Holzapfel-The-Wild-Catch-2-16x12.jpg 16w, https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/Olaf-Holzapfel-The-Wild-Catch-2-120x90.jpg 120w, https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/Olaf-Holzapfel-The-Wild-Catch-2.jpg 1134w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/Olaf-Holzapfel-The-Wild-Catch-3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"525\" src=\"https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/Olaf-Holzapfel-The-Wild-Catch-3-700x525.jpg\" alt=\"\" class=\"wp-image-10877\" srcset=\"https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/Olaf-Holzapfel-The-Wild-Catch-3-700x525.jpg 700w, https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/Olaf-Holzapfel-The-Wild-Catch-3-250x187.jpg 250w, https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/Olaf-Holzapfel-The-Wild-Catch-3-768x576.jpg 768w, https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/Olaf-Holzapfel-The-Wild-Catch-3-16x12.jpg 16w, https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/Olaf-Holzapfel-The-Wild-Catch-3-120x90.jpg 120w, https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/Olaf-Holzapfel-The-Wild-Catch-3.jpg 1134w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"720\" style=\"aspect-ratio: 1280 \/ 720;\" width=\"1280\" controls src=\"https:\/\/olafholzapfel.de\/wp-content\/uploads\/2025\/02\/setouchi-2025.mp4\"><\/video><\/figure>\n\n\n\n<p><a href=\"https:\/\/setouchi-artfest.jp\/en\/\">https:\/\/setouchi-artfest.jp\/en\/<\/a><\/p>\n\n\n\n<p>EN \/ <a href=\"#deutsch\">DE<\/a><\/p>\n\n\n\n<p>Ibuki Island is an impressive testament to human settlement and the interrelationship with nature. Up to 4,000 people lived on this small island exclusively from fishing. Their lives were directly connected to the elements, the creatures and their living conditions. The relationship between these life forms always depends on mutual understanding. The same idea was also explored in old stories such as the fairy tale \u2018The Fisherman and His Wife\u2019 , written by the Romantic poet Philipp Otto Runge. Holzapfel sets the story in a traditional Japanese house where many children once lived. In a stage setting, three universal craft techniques are presented that have timeless significance in both Japan and Germany: dyeing, straw weaving and carpentry.<\/p>\n\n\n\n<p>Japanese actress Miho Takayasu narrates the fairy tale in the animated film created by Holzapfel and Moritz Stumm. Like the fairy tale, the installation deals with the relationship between humans and nature. Its cycles, the challenges of human desires, and the limits of material existence. With the realization that these limits are also the place of home, like the house in which the installation takes place, like the island that is home to the people.\u202f<\/p>\n\n\n\n<p>Holzapfel thus takes up a theme that is as familiar to the fishermen of Ibuki Island as it is to other craftsmen: the relationship and balance between our bodies and the elements. With the idea of playing with light, Holzapfel creates a unified space that incorporates the installation, the history of the venue, and Ibukijima Island itself.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>The Setouchi Triennale is a contemporary art festival held every three years on the islands of the Seto Inland Sea. Launched in 2010, it lasts 100 days and is divided into spring, summer and fall sessions, allowing visitors to enjoy the Setouchi region in different seasons. The Triennale is one of Japan\u2019s foremost international art festivals, attracting about one million people from Japan and overseas. &nbsp;<\/p>\n\n\n\n<p>Site specific works serve as guides for discovering each island and venue, including the scenery, history, culture, lifestyle, local industries, and cuisine. They also serve as a portal for interaction with artists, residents and volunteer supporters. This approach has won the Triennale many ardent fans.&nbsp;<br>The Triennale has also won international acclaim as a novel approach to tourism, appearing in many well-known magazines and media overseas.&nbsp;<\/p>\n\n\n\n<p>To present the diverse charms of the Setouchi region and contribute to its revitalization, Setouchi Triennale 2025, the sixth triennial and the first to be held since the end of the COVID-19 global health emergency, will be expanded to include the coastal towns of Shido, Tsuda, Hiketa, and Utazu, bringing the total number of participating areas to 17.<\/p>\n\n\n\n<p>Olaf Holzapfel&#8217;s work will be on display during the fall (3.10.-9.11.25).<br>A total of 223 artists are participating, including Christian Boltanski, Jacob Dahlgren, Olafur Eliasson, Olaf Holzapfel, Alicja Kwade, Sigalit Landau, and Pipilotti Rist.<\/p>\n\n\n\n<p id=\"deutsch\"><em>deutsch<\/em><\/p>\n\n\n\n<p>Die Insel Ibuki ist ein beeindruckendes Zeugnis menschlicher Besiedlung und der Wechselbeziehung mit der Natur. Bis zu 4.000 Menschen lebten auf dieser kleinen Insel ausschlie\u00dflich vom Fischfang. Ihr Leben war direkt mit den Elementen, den Lebewesen und ihren Lebensbedingungen verbunden. Die Beziehung zwischen diesen Lebensformen h\u00e4ngt immer vom gegenseitigen Verst\u00e4ndnis ab. Derselbe Gedanke wurde auch in alten Geschichten wie dem M\u00e4rchen \u201eDer Fischer und seine Frau\u201c des romantischen Dichters Philipp Otto Runge thematisiert. Holzapfel siedelt die Geschichte in einem traditionellen japanischen Haus an, in dem einst viele Kinder lebten. In einer B\u00fchnenkulisse werden drei universelle Handwerkstechniken pr\u00e4sentiert, die sowohl in Japan als auch in Deutschland zeitlose Bedeutung haben: F\u00e4rben, Strohflechten und Tischlern.<\/p>\n\n\n\n<p>Die japanische Schauspielerin\u00a0Miho Takayasu\u00a0spricht das M\u00e4rchen innerhalb des von Holzapfel und\u00a0Moritz Stumm\u00a0gestalteten Animationsfilms. Die Installation besch\u00e4ftigt sich, wie das M\u00e4rchen, mit der Beziehung der Menschen zur Natur. Ihren Zyklen, den Herausforderungen menschlicher W\u00fcnsche und den Grenzen der materiellen Existenz. Mit der Erkenntnis, dass diese Grenzen auch der Ort der Heimat sind, wie das Haus, in dem die Installation stattfindet, wie die Insel, die die Heimat der Menschen ist.\u202f<\/p>\n\n\n\n<p>Holzapfel greift damit ein Thema auf, das den Fischern der Insel Ibuki ebenso vertraut ist wie anderen Handwerkern: die Beziehung und das Gleichgewicht zwischen unserem K\u00f6rper und den Elementen.\u202f Holzapfel kreiert mit der Idee des Lichtspiels einen einheitlichen Raum, der sowohl die Installation, die Geschichte des Veranstaltungsortes, als auch die Insel Ibukijima selbst aufgreift.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Die Setouchi Triennale ist ein Festival f\u00fcr zeitgen\u00f6ssische Kunst, das alle drei Jahre auf den Inseln der Seto-Binnensee stattfindet. Das 2010 ins Leben gerufene Festival dauert 100 Tage und ist in Fr\u00fchling, Sommer und Herbst unterteilt, so dass die Besucher die Setouchi-Region zu verschiedenen Jahreszeiten erleben k\u00f6nnen. Die Triennale ist eines der wichtigsten internationalen Kunstfestivals in Japan und zieht rund eine Million Besucher aus Japan und dem Ausland an.<\/p>\n\n\n\n<p>Die ortsspezifischen Werke dienen als Leitfaden f\u00fcr die Entdeckung der einzelnen Inseln und Veranstaltungsorte, einschlie\u00dflich der Landschaft, Geschichte, Kultur, Lebensweise, der lokalen Industrie und K\u00fcche. Sie dienen auch als Portal f\u00fcr die Interaktion mit K\u00fcnstlern, Einwohnern und freiwilligen Unterst\u00fctzern. Dieser Ansatz hat der Triennale viele begeisterte Fans eingebracht.<br>Auch international hat die Triennale als neuartiger Ansatz f\u00fcr den Tourismus Anerkennung gefunden und ist in vielen bekannten Magazinen und Medien in \u00dcbersee erschienen.<\/p>\n\n\n\n<p>Um die vielf\u00e4ltigen Reize der Setouchi-Region zu pr\u00e4sentieren und zu ihrer Wiederbelebung beizutragen, wird die Setouchi Triennale 2025, die sechste Triennale und die erste nach dem Ende der globalen Gesundheitskrise COVID-19, um die K\u00fcstenst\u00e4dte Shido, Tsuda, Hiketa und Utazu erweitert, so dass sich die Gesamtzahl der teilnehmenden Gebiete auf 17 erh\u00f6ht.<\/p>\n\n\n\n<p>Olaf Holzapfels Arbeit wird w\u00e4hrend des Herbst gezeigt (3.10.-9.11.25).<br>Es nehmen 223 K\u00fcnstler*innen teil, darunter Christian Boltanski, Jacob Dahlgren, Olafur Eliasson, Olaf Holzapfel, Alicja Kwade, Sigalit Landau, Pipilotti Rist.<\/p>","protected":false},"excerpt":{"rendered":"\u201eThe Wild Catch\u201c (Der Wildfang) https:\/\/setouchi-artfest.jp\/en\/ EN \/ DE Ibuki Island is an impressive testament to human settlement and the interrelationship with nature. Up to 4,000 people lived on this small island exclusively from fishing. Their lives were directly connected to the elements, the creatures and their living conditions. The relationship between these life forms&#8230; <a class=\"view-article\" href=\"https:\/\/olafholzapfel.de\/en\/setouchi-art-trienale-2025\/\">View Article<\/a>","protected":false},"author":6,"featured_media":10877,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,4],"tags":[],"class_list":["post-9551","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausstellung","category-skulptur"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Setouchi Triennale 2025 - Olaf Holzapfel<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/olafholzapfel.de\/en\/setouchi-art-trienale-2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Setouchi Triennale 2025 - Olaf Holzapfel\" \/>\n<meta property=\"og:description\" content=\"\u201eThe Wild Catch\u201c (Der Wildfang) https:\/\/setouchi-artfest.jp\/en\/ EN \/ DE Ibuki Island is an impressive testament to human settlement and the interrelationship with nature. Up to 4,000 people lived on this small island exclusively from fishing. Their lives were directly connected to the elements, the creatures and their living conditions. The relationship between these life forms... 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Up to 4,000 people lived on this small island exclusively from fishing. Their lives were directly connected to the elements, the creatures and their living conditions. The relationship between these life forms... 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